Watch Mishika Chourasia in hindi movie Rangeela Raja
Mishika Chourasia made her film acting debut in 2018 with Hindi movie “Rangeela Raja“ she was born on 24 April 1994 in Nagpur, Maharashtra, India. She attended and pursued a course in travel and tourism from the Christ university Bangalore.She is a popular model and trained dancer who has appeared in some video songs.With this content, you’ll apprehend additional regarding Mishika Chourasia life, age, body activity, birthday, affairs, quotes, and movies.Mishika Chourasia movies (latest/upcoming movies/trailers) (1) 2019 – Rangeela Raja as Natasha directed by Pahlaj Nihalani and starring Govinda and Digangana Suryavanshi under the banner of Chiragdeep International. (2) 2019 – I Love You Boss directed by Pahlaj Nihalani.
Rangeela Raja, directed by Sikandar Bharti, could be a mess that may have gone straight to cable TV back in 1997, where it belongs. It is a world wherever Govinda still has swag and Hindu deity Kapoor still speaks with a lisp. Add to this Associate in Nursing interchangeable parade of skimpily dressed ladies and — a singular treat — Prem Chopra as a solemn, thoughtful saddhu.
I expected innuendo, given Nihalani’s history of filming songs about erections, but nothing could prepare me for this. A full-bosomed Delilah is introduced to United States via a Satyam Shivam Sundaram vogue song regarding the glory of Om, golf shot all her passion into caressing a Shivling.
Govinda, the rationale anyone might show up for this tacky disaster, is everywhere the place. Literally.
He stars as a lascivious, skirt-chasing tycoon and doubles up as his own younger brother, a committed sadhu who wants to start a yoga institute. Govinda Sr hires women for the sole purpose of philandering, while Govinda the younger wants to be the moral voice to set his misguided brother straight.Consent, via Nihalani’s script, equals Govinda asking a girl if she’s sure she wants to cave to his advances.
Has she thought about it, he asks. ‘Where will the younger generation have the time for thinking?
,’ she replies, and, assuaged by this, he pounces on her. This is the anti-MeToo film you never thought would exist.
The most lavish scene takes place in an exceedingly violently brassy reflected ’Sheesh Mahal’ set, where a moustached Govinda woos a dupatta-clad Govinda. That may be the good part. Govinda’s comic timing remains taut, and there are a few rhymes he delivers that aren’t half-bad: “Kameez mein jeb, aur Raja mein aibnatural hai,” he says, rhyming shirt pocket with character flaws in a way few can.Say what you’ll, the actor can still groove to the beat effortlessly.
In a few years, he might even enjoy viral status like that ‘wedding video uncle,’ perhaps by dancing to his own songs at parties. Even Govinda’s patented pelvic thrusts were harmless. He was never a toxic masculine threat, no vulgarian, merely a graceful clown. Nihalani, I’m unhappy to report, plumbs the depths to snatch this innocence from the actor. He assaults United States with pictures of a nauseating Govinda, a performance-enhancing rapist who laughs in the face of consequences. I emerged from this film traumatised. To paraphrase a Govinda hit: ‘Ankhiyon blow goli mare.’ i might prefer to blow my eyes out.